Research Area |
Description |
Ethnomusicology
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'Music as culture’ - The study of Irish and world musics, societies, people and practices in contemporary life and history. Projects may include ethnography, music analysis, historiography on any music culture |
Arts practice
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Practice-as-Research projects that are grounded in artistic practice with performance (or other artistic output) as a key factor in the MA/PhD. Projects based in artistic practice integrate arts practice theoretical frameworks with performance, musicology/ethnomusicology and performance-based research. The focus of each project will be individual to the artist as researcher and will differ in creative output. Project outputs may include composition, the development of recordings, first editions, critical editions, lecture-recitals, recitals or other creative activities. Projects in the following areas are particularly welcome:
- Irish Traditional Music
- Western Art Music
- Latin-American Music
- Popular Music Studies
- Electro-acoustic composition
- Studio-based musical activities
- Music for screen
- Drama
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Media, Culture and Society
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Proposals for research welcomed in the following areas at MA and PhD level: popular culture; fandom/ fan studies; media audiences; alternative media; radio/ podcasting studies; online cultures; sport and the media; popular music studies.
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Irish Traditional Music
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Irish Traditional Music The study of all aspects of Irish traditional music and its interrelationship with society, history and the economy. Projects may include ethnography, music analysis, historiography and artistic practice approaches.
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Drama and Theatre Studies
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The study of Irish and international drama and theatre practice. Practice-as-Research projects in areas including theatre practice (direction, devising, etc) and as well as research projects on theatre history, contemporary drama, gender, and related areas are welcome.
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Film Studies
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Research projects in the following broad areas: European Cinema, World Cinema, and Film theory. Projects could focus on: national cinema (Italian, German, Irish etc), global cinema, transnational films, World cinema
(Asian cinema,
Latin American cinema, Bollywood, African cinema), Hollywood, historical approaches to film, film theory and criticism (auteur theory, formalism, realism, structuralism etc), analysis of film genres, film movements (Italian Neorealism, French New Wave, Czechoslovak New Wave, New German Cinema), cultural and political analysis of films, documentary filmmaking, Irish folklore, representations of contemporary migration, history and memory, Holocaust cinema, and Genocide films (Cambodia, Rwanda). Any aesthetic, historical, theoretical and critical approaches are welcome.
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Musicology
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Proposals for research in Western art music; popular music, musical theatre, film music, music for video games and electroacoustic music welcome at MA and PhD level. Our research in these fields addresses a wide spectrum of issues including gender, sexuality, disability and race and uses theoretical approaches that include cultural theories of music, ethnography, oral history, music analysis and historiography.
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Audio Technology
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Audio Descriptions: Investigating a Standardised Approach to Setting Audio Description Dip Values.
Audio Signal Processing: The investigation of a novel approach to automated volume control for vocalised audio. |
Electroacoustic Composition
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Proposals in research including: Analysis, composition, production and performance. Histories of electroacoustic composition.
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Proposals in research including: Digital born, text and narrative, Linear and Non-Linear electronic literature, histories of Electronic Literature.
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Proposals in research including: Streaming, Online narrative. Histories. Human Computer Interaction, Histories of Games Studies.
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Proposals in research including: practice-based research, digital performances, online broadcast, media art, emerging media.
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Musicology of Record Production, Music Psychology
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Research concerning the motivations and approaches behind creative and technical decisions in the recording and music production process. Research investigating the physiological and/or emotional changes induced through music listening and/or performance.
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Proposals in research including: New Media, Human Computer Interaction, non-linear text and narrative, immersion, online broadcasting, interactive fiction, electronic literature, arts practice.
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