Dr Ann-Marie (Annie) Hanlon is a musicologist with specialisms in cultural theories of music, French modernism and popular music. Her current research focuses on the impact of second-wave feminism on popular music. She is also a performer of rock, pop and folk music on piano, guitar and bass guitar. She completed her PhD at Newcastle University in 2013, focusing on the music and reception of the French composer Erik Satie, spending part of this time as a visiting scholar with the International Group for Interart Research at the Free University, Berlin. In 2006 she graduated with a Masters in Popular Music and Cultural Theories of Music from Newcastle University. She also holds a BMus (First-Class Honours) and a BA in Music and German from University College Cork. She has played with a number of Dublin based bands, including the Gravel Poets and Kellie & The Scruffs, performing at Body n'Soul, the Tall Ships Festival and the Westport Arts Festival.
Publications include a foreword to the Erik Satie study score, Trois Petites Pièces Montées (Munich, 2009), contributions to the Encyclopaedia of Music in Ireland (2012) and book chapters in Caroline Potter (ed.), Erik Satie: Music, Art & Literature (Farnham: Ashgate, 2013), Regina Strätling & Erik Fischer-Lichte (eds.), Witty Art: Der Kunst und Seiner Beizeihung zu den Künsten (Munich: Fink Verlag, 2014) and Diane Silverthorne (ed.), Music, Art & Performance from Liszt to Riot Grrrl (NY: Bloomsbury Academic, 2018). She has received awards and bursaries from the National University of Ireland and the Society of Musicology in Ireland.
Dundalk Institute of Technology
Phone: +353 (0)42 9370200
See the full menu
We are in the process of migrating and updating content for the new website.
If you can't find what you're looking for or if you require any futher information please contact the web team,
we'd be happy to help.
Privacy | Data Protection | Freedom of Information